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      <image:title>Mabu49 Spring/Summer 2011 - Mabu</image:title>
      <image:caption>Mabu is the debut collection for my clothing label Mabu49, which was officially launched at the Spring/Summer South African Fashion Week in 2011. Mabu is my mother’s name, and it is a Pedi/Northern Sotho (a South African language) word meaning ‘mother of the earth’. Thus my mother and her effortless style in the 1970s have inspired this debut collection. The recurring print, engraved in leather, and printed on chiffon, is derived from wave rock formations, and it is an ode to the position that my mother plays in the family – the rock of the family. Growing up my mother taught me how to do Zulu beadwork as a result I have also included beadwork details in the clothing.</image:caption>
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      <image:title>Mabu49 Spring/Summer 2011 - Mabu</image:title>
      <image:caption>Mabu is the debut collection for my clothing label Mabu49, which was officially launched at the Spring/Summer South African Fashion Week in 2011. Mabu is my mother’s name, and it is a Pedi/Northern Sotho (a South African language) word meaning ‘mother of the earth’. Thus my mother and her effortless style in the 1970s have inspired this debut collection. The recurring print, engraved in leather, and printed on chiffon, is derived from wave rock formations, and it is an ode to the position that my mother plays in the family – the rock of the family. Growing up my mother taught me how to do Zulu beadwork as a result I have also included beadwork details in the clothing.</image:caption>
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      <image:title>Mabu49 Spring/Summer 2011 - Mabu</image:title>
      <image:caption>Mabu is the debut collection for my clothing label Mabu49, which was officially launched at the Spring/Summer South African Fashion Week in 2011. Mabu is my mother’s name, and it is a Pedi/Northern Sotho (a South African language) word meaning ‘mother of the earth’. Thus my mother and her effortless style in the 1970s have inspired this debut collection. The recurring print, engraved in leather, and printed on chiffon, is derived from wave rock formations, and it is an ode to the position that my mother plays in the family – the rock of the family. Growing up my mother taught me how to do Zulu beadwork as a result I have also included beadwork details in the clothing.</image:caption>
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      <image:title>Mabu49 Spring/Summer 2011 - Mabu</image:title>
      <image:caption>Mabu is the debut collection for my clothing label Mabu49, which was officially launched at the Spring/Summer South African Fashion Week in 2011. Mabu is my mother’s name, and it is a Pedi/Northern Sotho (a South African language) word meaning ‘mother of the earth’. Thus my mother and her effortless style in the 1970s have inspired this debut collection. The recurring print, engraved in leather, and printed on chiffon, is derived from wave rock formations, and it is an ode to the position that my mother plays in the family – the rock of the family. Growing up my mother taught me how to do Zulu beadwork as a result I have also included beadwork details in the clothing.</image:caption>
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      <image:title>Mabu49 Spring/Summer 2011 - Mabu</image:title>
      <image:caption>Mabu is the debut collection for my clothing label Mabu49, which was officially launched at the Spring/Summer South African Fashion Week in 2011. Mabu is my mother’s name, and it is a Pedi/Northern Sotho (a South African language) word meaning ‘mother of the earth’. Thus my mother and her effortless style in the 1970s have inspired this debut collection. The recurring print, engraved in leather, and printed on chiffon, is derived from wave rock formations, and it is an ode to the position that my mother plays in the family – the rock of the family. Growing up my mother taught me how to do Zulu beadwork as a result I have also included beadwork details in the clothing.</image:caption>
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      <image:title>Mabu49 Spring/Summer 2011 - Mabu</image:title>
      <image:caption>Mabu is the debut collection for my clothing label Mabu49, which was officially launched at the Spring/Summer South African Fashion Week in 2011. Mabu is my mother’s name, and it is a Pedi/Northern Sotho (a South African language) word meaning ‘mother of the earth’. Thus my mother and her effortless style in the 1970s have inspired this debut collection. The recurring print, engraved in leather, and printed on chiffon, is derived from wave rock formations, and it is an ode to the position that my mother plays in the family – the rock of the family. Growing up my mother taught me how to do Zulu beadwork as a result I have also included beadwork details in the clothing.</image:caption>
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      <image:title>Mabu49 Spring/Summer 2011 - Mabu</image:title>
      <image:caption>Mabu is the debut collection for my clothing label Mabu49, which was officially launched at the Spring/Summer South African Fashion Week in 2011. Mabu is my mother’s name, and it is a Pedi/Northern Sotho (a South African language) word meaning ‘mother of the earth’. Thus my mother and her effortless style in the 1970s have inspired this debut collection. The recurring print, engraved in leather, and printed on chiffon, is derived from wave rock formations, and it is an ode to the position that my mother plays in the family – the rock of the family. Growing up my mother taught me how to do Zulu beadwork as a result I have also included beadwork details in the clothing.</image:caption>
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    <loc>https://www.fuzunina.com/ellenewtalent</loc>
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    <lastmod>2016-04-27</lastmod>
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      <image:title>Elle New Talent 2010 - Got Soul?</image:title>
      <image:caption>The Elle New Talent competition in South Africa is an annual contest to look for local design talent   Got Soul? Optimism in the Face of Adversity   South Africa is built on a history of optimism.  Despite our past of discrimination we have always managed to stay positive in times of hardship. As a result I chose to be inspired by Sophiatown and the Drum era of the 1950s in Johannesburg. Despite the political climate at the time, Sophiatown still managed to become a cultural hub. The home to intellectuals, writers, musicians, and artists, Sophiatown was a melting pot of creative expression. To me it represents the spirit of an era; a zeitgeist embodied by colour, energy and creativity. A symbol of optimism in the face of adversity.</image:caption>
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      <image:title>Elle New Talent 2010 - Got Soul?</image:title>
      <image:caption>The Elle New Talent competition in South Africa is an annual contest to look for local design talent   Got Soul? Optimism in the Face of Adversity   South Africa is built on a history of optimism.  Despite our past of discrimination we have always managed to stay positive in times of hardship. As a result I chose to be inspired by Sophiatown and the Drum era of the 1950s in Johannesburg. Despite the political climate at the time, Sophiatown still managed to become a cultural hub. The home to intellectuals, writers, musicians, and artists, Sophiatown was a melting pot of creative expression. To me it represents the spirit of an era; a zeitgeist embodied by colour, energy and creativity. A symbol of optimism in the face of adversity.</image:caption>
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      <image:title>Elle New Talent 2010 - Got Soul?</image:title>
      <image:caption>The Elle New Talent competition in South Africa is an annual contest to look for local design talent   Got Soul? Optimism in the Face of Adversity   South Africa is built on a history of optimism.  Despite our past of discrimination we have always managed to stay positive in times of hardship. As a result I chose to be inspired by Sophiatown and the Drum era of the 1950s in Johannesburg. Despite the political climate at the time, Sophiatown still managed to become a cultural hub. The home to intellectuals, writers, musicians, and artists, Sophiatown was a melting pot of creative expression. To me it represents the spirit of an era; a zeitgeist embodied by colour, energy and creativity. A symbol of optimism in the face of adversity.</image:caption>
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      <image:title>Elle New Talent 2010 - Got Soul?</image:title>
      <image:caption>The Elle New Talent competition in South Africa is an annual contest to look for local design talent   Got Soul? Optimism in the Face of Adversity   South Africa is built on a history of optimism.  Despite our past of discrimination we have always managed to stay positive in times of hardship. As a result I chose to be inspired by Sophiatown and the Drum era of the 1950s in Johannesburg. Despite the political climate at the time, Sophiatown still managed to become a cultural hub. The home to intellectuals, writers, musicians, and artists, Sophiatown was a melting pot of creative expression. To me it represents the spirit of an era; a zeitgeist embodied by colour, energy and creativity. A symbol of optimism in the face of adversity.</image:caption>
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      <image:title>Elle New Talent 2010 - Got Soul?</image:title>
      <image:caption>The Elle New Talent competition in South Africa is an annual contest to look for local design talent   Got Soul? Optimism in the Face of Adversity   South Africa is built on a history of optimism.  Despite our past of discrimination we have always managed to stay positive in times of hardship. As a result I chose to be inspired by Sophiatown and the Drum era of the 1950s in Johannesburg. Despite the political climate at the time, Sophiatown still managed to become a cultural hub. The home to intellectuals, writers, musicians, and artists, Sophiatown was a melting pot of creative expression. To me it represents the spirit of an era; a zeitgeist embodied by colour, energy and creativity. A symbol of optimism in the face of adversity.</image:caption>
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      <image:title>Elle New Talent 2010 - Got Soul?</image:title>
      <image:caption>The Elle New Talent competition in South Africa is an annual contest to look for local design talent   Got Soul? Optimism in the Face of Adversity   South Africa is built on a history of optimism.  Despite our past of discrimination we have always managed to stay positive in times of hardship. As a result I chose to be inspired by Sophiatown and the Drum era of the 1950s in Johannesburg. Despite the political climate at the time, Sophiatown still managed to become a cultural hub. The home to intellectuals, writers, musicians, and artists, Sophiatown was a melting pot of creative expression. To me it represents the spirit of an era; a zeitgeist embodied by colour, energy and creativity. A symbol of optimism in the face of adversity.</image:caption>
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      <image:title>Elle New Talent 2010 - Got Soul?</image:title>
      <image:caption>The Elle New Talent competition in South Africa is an annual contest to look for local design talent   Got Soul? Optimism in the Face of Adversity   South Africa is built on a history of optimism.  Despite our past of discrimination we have always managed to stay positive in times of hardship. As a result I chose to be inspired by Sophiatown and the Drum era of the 1950s in Johannesburg. Despite the political climate at the time, Sophiatown still managed to become a cultural hub. The home to intellectuals, writers, musicians, and artists, Sophiatown was a melting pot of creative expression. To me it represents the spirit of an era; a zeitgeist embodied by colour, energy and creativity. A symbol of optimism in the face of adversity.</image:caption>
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      <image:title>Elle New Talent 2010 - Got Soul?</image:title>
      <image:caption>The Elle New Talent competition in South Africa is an annual contest to look for local design talent   Got Soul? Optimism in the Face of Adversity   South Africa is built on a history of optimism.  Despite our past of discrimination we have always managed to stay positive in times of hardship. As a result I chose to be inspired by Sophiatown and the Drum era of the 1950s in Johannesburg. Despite the political climate at the time, Sophiatown still managed to become a cultural hub. The home to intellectuals, writers, musicians, and artists, Sophiatown was a melting pot of creative expression. To me it represents the spirit of an era; a zeitgeist embodied by colour, energy and creativity. A symbol of optimism in the face of adversity.</image:caption>
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    <image:image>
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      <image:title>Elle New Talent 2010 - Got Soul?</image:title>
      <image:caption>The Elle New Talent competition in South Africa is an annual contest to look for local design talent   Got Soul? Optimism in the Face of Adversity   South Africa is built on a history of optimism.  Despite our past of discrimination we have always managed to stay positive in times of hardship. As a result I chose to be inspired by Sophiatown and the Drum era of the 1950s in Johannesburg. Despite the political climate at the time, Sophiatown still managed to become a cultural hub. The home to intellectuals, writers, musicians, and artists, Sophiatown was a melting pot of creative expression. To me it represents the spirit of an era; a zeitgeist embodied by colour, energy and creativity. A symbol of optimism in the face of adversity.</image:caption>
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    <loc>https://www.fuzunina.com/a-bright-room-called-day</loc>
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    <lastmod>2016-04-27</lastmod>
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      <image:title>A Bright Room Called Day - A Bright Room Called Day</image:title>
      <image:caption>by Tony Kushner Directed by Scott Illingworth Set Design by Yu Hsuan Chen Lighting Design by Chris Thielking Costume Design by Ntokozo F. Kunene NYU Tisch School of the Arts Graduate Production Photography by Alex Fabozzi</image:caption>
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      <image:title>A Bright Room Called Day</image:title>
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      <image:title>A Bright Room Called Day - A Bright Room Called Day</image:title>
      <image:caption>by Tony Kushner Directed by Scott Illingworth Set Design by Yu Hsuan Chen Lighting Design by Chris Thielking Costume Design by Ntokozo F. Kunene NYU Tisch School of the Arts Graduate Production Photography by Alex Fabozzi</image:caption>
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      <image:title>A Bright Room Called Day - A Bright Room Called Day</image:title>
      <image:caption>by Tony Kushner Directed by Scott Illingworth Set Design by Yu Hsuan Chen Lighting Design by Chris Thielking Costume Design by Ntokozo F. Kunene NYU Tisch School of the Arts Graduate Production Photography by Alex Fabozzi</image:caption>
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      <image:title>A Bright Room Called Day - A Bright Room Called Day</image:title>
      <image:caption>by Tony Kushner Directed by Scott Illingworth Set Design by Yu Hsuan Chen Lighting Design by Chris Thielking Costume Design by Ntokozo F. Kunene NYU Tisch School of the Arts Graduate Production Photography by Alex Fabozzi</image:caption>
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      <image:title>A Bright Room Called Day - A Bright Room Called Day</image:title>
      <image:caption>by Tony Kushner Directed by Scott Illingworth Set Design by Yu Hsuan Chen Lighting Design by Chris Thielking Costume Design by Ntokozo F. Kunene NYU Tisch School of the Arts Graduate Production Photography by Alex Fabozzi</image:caption>
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      <image:title>A Bright Room Called Day - A Bright Room Called Day</image:title>
      <image:caption>by Tony Kushner Directed by Scott Illingworth Set Design by Yu Hsuan Chen Lighting Design by Chris Thielking Costume Design by Ntokozo F. Kunene NYU Tisch School of the Arts Graduate Production Photography by Alex Fabozzi</image:caption>
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    <lastmod>2021-06-10</lastmod>
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      <image:title>For Ella With Love</image:title>
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      <image:title>For Ella With Love</image:title>
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      <image:title>For Ella With Love</image:title>
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      <image:title>For Ella With Love</image:title>
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      <image:title>For Ella With Love</image:title>
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      <image:title>For Ella With Love</image:title>
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      <image:title>For Ella With Love</image:title>
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      <image:title>For Ella With Love</image:title>
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    <loc>https://www.fuzunina.com/the-living-room</loc>
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    <lastmod>2016-05-01</lastmod>
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      <image:title>The [living] Room - The [living] Room</image:title>
      <image:caption>Choreographed by Hannah Cullen, Kyle J Filley and Nicholas Grubbs Music composed by Paulo Tirol Set Design by Taísa Malouf Lighting Design by Peter W. Mitchell Costume Design by Ntokozo F. Kunene NYU Tisch Second Avenue Dance Company Photography by Ella Bromblin</image:caption>
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      <image:title>The [living] Room - The [living] Room</image:title>
      <image:caption>Choreographed by Hannah Cullen, Kyle J Filley and Nicholas Grubbs Music composed by Paulo Tirol Set Design by Taísa Malouf Lighting Design by Peter W. Mitchell Costume Design by Ntokozo F. Kunene NYU Tisch Second Avenue Dance Company Photography by Ella Bromblin</image:caption>
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      <image:title>The [living] Room - The [living] Room</image:title>
      <image:caption>Choreographed by Hannah Cullen, Kyle J Filley and Nicholas Grubbs Music composed by Paulo Tirol Set Design by Taísa Malouf Lighting Design by Peter W. Mitchell Costume Design by Ntokozo F. Kunene NYU Tisch Second Avenue Dance Company Photography by Ella Bromblin</image:caption>
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      <image:title>The [living] Room - The [living] Room</image:title>
      <image:caption>Choreographed by Hannah Cullen, Kyle J Filley and Nicholas Grubbs Music composed by Paulo Tirol Set Design by Taísa Malouf Lighting Design by Peter W. Mitchell Costume Design by Ntokozo F. Kunene NYU Tisch Second Avenue Dance Company Photography by Ella Bromblin</image:caption>
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    <image:image>
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      <image:title>The [living] Room - The [living] Room</image:title>
      <image:caption>Choreographed by Hannah Cullen, Kyle J Filley and Nicholas Grubbs Music composed by Paulo Tirol Set Design by Taísa Malouf Lighting Design by Peter W. Mitchell Costume Design by Ntokozo F. Kunene NYU Tisch Second Avenue Dance Company Photography by Ella Bromblin</image:caption>
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    <image:image>
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      <image:title>The [living] Room - The [living] Room</image:title>
      <image:caption>Choreographed by Hannah Cullen, Kyle J Filley and Nicholas Grubbs Music composed by Paulo Tirol Set Design by Taísa Malouf Lighting Design by Peter W. Mitchell Costume Design by Ntokozo F. Kunene NYU Tisch Second Avenue Dance Company Photography by Ella Bromblin</image:caption>
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    <image:image>
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      <image:title>The [living] Room - The [living] Room</image:title>
      <image:caption>Choreographed by Hannah Cullen, Kyle J Filley and Nicholas Grubbs Music composed by Paulo Tirol Set Design by Taísa Malouf Lighting Design by Peter W. Mitchell Costume Design by Ntokozo F. Kunene NYU Tisch Second Avenue Dance Company Photography by Ella Bromblin</image:caption>
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      <image:title>The [living] Room</image:title>
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    <loc>https://www.fuzunina.com/rede-fine-and-dandy</loc>
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    <lastmod>2016-04-27</lastmod>
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      <image:title>(Rede) Fine and Dandy</image:title>
      <image:caption>(Rede) Fine and Dandy is about fashioning the sartorial identity of the twenty first century African Diaspora. Although African women have embraced the western culture that dominates the current global status, they also still maintain a strong affinity to, and pride in, their ethnic heritage. The collection is thus an exploration of this ethno convergence expressed through the fusion of the style of the contemporary black dandy with the attire, adornment and textiles of various sub Saharan ethnicities. African scarification, tribal body paint, and the textiles of various ethnicities are the inspira- tion behind the custom designed prints, which overlay silhouettes derived from the black dandy. Leather, poplin and gabardine fabrics are found in muted tones of ochre, cool grey, camel and mist blue in order to preserve the femininity in the bold masculine lines. A variety of pieces are beaded in traditional African methods to enhance the collection’s harmonious intercession between the two contrasting worlds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1423715333919-XN6KBM9E699TFQEV8N2K/Grad1.jpg</image:loc>
      <image:title>(Rede) Fine and Dandy</image:title>
      <image:caption>(Rede) Fine and Dandy is about fashioning the sartorial identity of the twenty first century African Diaspora. Although African women have embraced the western culture that dominates the current global status, they also still maintain a strong affinity to, and pride in, their ethnic heritage. The collection is thus an exploration of this ethno convergence expressed through the fusion of the style of the contemporary black dandy with the attire, adornment and textiles of various sub Saharan ethnicities. African scarification, tribal body paint, and the textiles of various ethnicities are the inspira- tion behind the custom designed prints, which overlay silhouettes derived from the black dandy. Leather, poplin and gabardine fabrics are found in muted tones of ochre, cool grey, camel and mist blue in order to preserve the femininity in the bold masculine lines. A variety of pieces are beaded in traditional African methods to enhance the collection’s harmonious intercession between the two contrasting worlds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1423715333729-BGV5OLYH6XLLVD0NETZ9/Grad2.jpg</image:loc>
      <image:title>(Rede) Fine and Dandy</image:title>
      <image:caption>(Rede) Fine and Dandy is about fashioning the sartorial identity of the twenty first century African Diaspora. Although African women have embraced the western culture that dominates the current global status, they also still maintain a strong affinity to, and pride in, their ethnic heritage. The collection is thus an exploration of this ethno convergence expressed through the fusion of the style of the contemporary black dandy with the attire, adornment and textiles of various sub Saharan ethnicities. African scarification, tribal body paint, and the textiles of various ethnicities are the inspira- tion behind the custom designed prints, which overlay silhouettes derived from the black dandy. Leather, poplin and gabardine fabrics are found in muted tones of ochre, cool grey, camel and mist blue in order to preserve the femininity in the bold masculine lines. A variety of pieces are beaded in traditional African methods to enhance the collection’s harmonious intercession between the two contrasting worlds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1423715334592-7AYEBA15ZMCKYFO2SY5G/Grad3.jpg</image:loc>
      <image:title>(Rede) Fine and Dandy</image:title>
      <image:caption>(Rede) Fine and Dandy is about fashioning the sartorial identity of the twenty first century African Diaspora. Although African women have embraced the western culture that dominates the current global status, they also still maintain a strong affinity to, and pride in, their ethnic heritage. The collection is thus an exploration of this ethno convergence expressed through the fusion of the style of the contemporary black dandy with the attire, adornment and textiles of various sub Saharan ethnicities. African scarification, tribal body paint, and the textiles of various ethnicities are the inspira- tion behind the custom designed prints, which overlay silhouettes derived from the black dandy. Leather, poplin and gabardine fabrics are found in muted tones of ochre, cool grey, camel and mist blue in order to preserve the femininity in the bold masculine lines. A variety of pieces are beaded in traditional African methods to enhance the collection’s harmonious intercession between the two contrasting worlds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1423715377385-H0DPUG02GKAINIFNDESH/Ntokozo+Kunene93.jpg</image:loc>
      <image:title>(Rede) Fine and Dandy</image:title>
      <image:caption>(Rede) Fine and Dandy is about fashioning the sartorial identity of the twenty first century African Diaspora. Although African women have embraced the western culture that dominates the current global status, they also still maintain a strong affinity to, and pride in, their ethnic heritage. The collection is thus an exploration of this ethno convergence expressed through the fusion of the style of the contemporary black dandy with the attire, adornment and textiles of various sub Saharan ethnicities. African scarification, tribal body paint, and the textiles of various ethnicities are the inspira- tion behind the custom designed prints, which overlay silhouettes derived from the black dandy. Leather, poplin and gabardine fabrics are found in muted tones of ochre, cool grey, camel and mist blue in order to preserve the femininity in the bold masculine lines. A variety of pieces are beaded in traditional African methods to enhance the collection’s harmonious intercession between the two contrasting worlds.</image:caption>
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    <lastmod>2016-04-27</lastmod>
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      <image:title>My Favorite Character Was a Talking Vase - My Favorite Character was a Talking Vase</image:title>
      <image:caption>Conceived by Sarah Blush and Michael Norton Directed by Sarah Blush Written by Sarah Blush, Michael Norton and the cast Set Design by Brittany Vasta Lighting Design by Ken Wills Costume Design by Ntokozo F. Kunene HERE Theatre Photography by Tris Bucaro</image:caption>
    </image:image>
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      <image:title>My Favorite Character Was a Talking Vase - My Favorite Character was a Talking Vase</image:title>
      <image:caption>Conceived by Sarah Blush and Michael Norton Directed by Sarah Blush Written by Sarah Blush, Michael Norton and the cast Set Design by Brittany Vasta Lighting Design by Ken Wills Costume Design by Ntokozo F. Kunene HERE Theatre Photography by Tris Bucaro</image:caption>
    </image:image>
    <image:image>
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      <image:title>My Favorite Character Was a Talking Vase - My Favorite Character was a Talking Vase</image:title>
      <image:caption>Conceived by Sarah Blush and Michael Norton Directed by Sarah Blush Written by Sarah Blush, Michael Norton and the cast Set Design by Brittany Vasta Lighting Design by Ken Wills Costume Design by Ntokozo F. Kunene HERE Theatre Photography by Tris Bucaro</image:caption>
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      <image:title>My Favorite Character Was a Talking Vase - My Favorite Character was a Talking Vase</image:title>
      <image:caption>Conceived by Sarah Blush and Michael Norton Directed by Sarah Blush Written by Sarah Blush, Michael Norton and the cast Set Design by Brittany Vasta Lighting Design by Ken Wills Costume Design by Ntokozo F. Kunene HERE Theatre Photography by Tris Bucaro</image:caption>
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      <image:title>My Favorite Character Was a Talking Vase - My Favorite Character was a Talking Vase</image:title>
      <image:caption>Conceived by Sarah Blush and Michael Norton Directed by Sarah Blush Written by Sarah Blush, Michael Norton and the cast Set Design by Brittany Vasta Lighting Design by Ken Wills Costume Design by Ntokozo F. Kunene HERE Theatre Photography by Tris Bucaro</image:caption>
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      <image:caption>Conceived by Sarah Blush and Michael Norton Directed by Sarah Blush Written by Sarah Blush, Michael Norton and the cast Set Design by Brittany Vasta Lighting Design by Ken Wills Costume Design by Ntokozo F. Kunene HERE Theatre Photography by Tris Bucaro</image:caption>
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      <image:title>My Favorite Character Was a Talking Vase - My Favorite Character was a Talking Vase</image:title>
      <image:caption>Conceived by Sarah Blush and Michael Norton Directed by Sarah Blush Written by Sarah Blush, Michael Norton and the cast Set Design by Brittany Vasta Lighting Design by Ken Wills Costume Design by Ntokozo F. Kunene HERE Theatre Photography by Tris Bucaro</image:caption>
    </image:image>
    <image:image>
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      <image:title>My Favorite Character Was a Talking Vase - My Favorite Character was a Talking Vase</image:title>
      <image:caption>Conceived by Sarah Blush and Michael Norton Directed by Sarah Blush Written by Sarah Blush, Michael Norton and the cast Set Design by Brittany Vasta Lighting Design by Ken Wills Costume Design by Ntokozo F. Kunene HERE Theatre Photography by Tris Bucaro</image:caption>
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    <loc>https://www.fuzunina.com/scenes-from-court-life</loc>
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    <lastmod>2016-06-23</lastmod>
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      <image:title>Scenes from Court Life - Scenes from Court Life</image:title>
      <image:caption>A new play by Sarah Ruhl Directed by Mark Wing - Davey Set Design by Kris Layng Lighting Design by Jennifer Hill Costume Design by Ntokozo Kunene NYU Tisch School of the Arts Graduate Production Photography by Ella Bromblin</image:caption>
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      <image:title>Film - Brave, Visions for Moncler</image:title>
      <image:caption>Director: Spike Lee Commissioned by Moncler Director of Photography: Kerwin DeVonish Producer: Roberta Gigi Starring: Damaris Lewis, Jon Boogz, and Lil Buck Costume Design/Styling: Ntokozo Fuzunina Kunene ↓</image:caption>
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      <image:title>Film - Brave, Visions for Moncler</image:title>
      <image:caption>Director: Spike Lee Commissioned by Moncler Director of Photography: Kerwin DeVonish Producer: Roberta Gigi Starring: Damaris Lewis, Jon Boogz, and Lil Buck Costume Design/Styling: Ntokozo Fuzunina Kunene ↓</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1587355387293-NFF1WG16EDMWVT6P4S0G/MV5BOTE5ZWViYWEtYWM4MC00Y2Q1LTg5NjQtNDQ3MDI2ZTMyYTM1XkEyXkFqcGdeQXVyNzY5MTkwNTU%40._V1_SY1000_SX750_AL_.jpg</image:loc>
      <image:title>Film - Houseplants</image:title>
      <image:caption>Written and Directed: Prashanth Kamalakanthan Director of Photography: Jomo Fray Producer: Ria Tobaccowala Starring: Zazie Beetz and David Rysdahl Production Design: Ntokozo Fuzunina Kunene Costume Design: Jessica Harrison Winner, Best Short Drama, New Hampshire Film Festival Winner, Best Editing, First Run Film Festival Official Selection, Sarasota Film Festival Official Selection, Cucalorus Film Festival NoBudge 2018 Online Premiere NYU Tisch School of the Arts Graduate Film Short ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1496322186056-7K9NCM6J78G3VC2317ZF/Forever+Tree+poster.jpg</image:loc>
      <image:title>Film - Forever Tree</image:title>
      <image:caption>Writer: Stephen Hintz, Marc Novak, and Chrishaunda Lee Perez Director: Alrick Brown Director of Photography: Daniel Vecchione Producer: Dena Greenbaum, Stephen Hintz, and Chrishaunda Lee Perez Starring: Olivia Washington and Wendell Pierce Production Design: Ntokozo Fuzunina Kunene Costume Design: Missy DiPiero  Official Selection, Bentonville Film Festival Official Selection, San Francisco Black Film Festival ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1562706429267-2H9CX8Z1GJZ8RWPOGLIW/Screen+Shot+2019-07-09+at+10.54.23+PM.png</image:loc>
      <image:title>Film - El Artesano (The Artisan)</image:title>
      <image:caption>Writer and Director: Adrián Cárdenas Director of Photography: Lorena Durán Producer: Maria Altamirano Production Design and Costume Design: Ntokozo Fuzunina Kunene Official Selection, Palm Springs International Short Film Festival ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1586733718908-JCEN3C9FRZM59E1DV4C6/Screen+Shot+2019-03-11+at+12.23.11+AM.png</image:loc>
      <image:title>Film - Thwasa for mabu49</image:title>
      <image:caption>Conceived by Ntokozo Fuzunina Kunene Model: Annick Thiombiano Director of Photography: April Maxey Original Music: Andrew Orkin Editor: Tiisetso Dladla Production Assistant: Ann Diskin ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1623401334775-HB0WEHC8PLLPB6JTC7OM/Skincollage.jpg</image:loc>
      <image:title>Film - Cu-ta-ne-ous</image:title>
      <image:caption>Conceived by Ntokozo Fuzunina Kunene 1Move: Designed by… 2021 Outstanding Digital Theatre, Collection, Festival Drama League Award Nomination ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1587007233086-CTBMDSO3Q3PVJPNT7TCY/Screen+Shot+2020-04-09+at+5.59.22+PM.png</image:loc>
      <image:title>Film - White Wedding</image:title>
      <image:caption>Writer and Director: Daliso Leslie Director of Photography: Alejandro Miyashiro Producer: Melissa O. Adeyemo and Spike Lee Starring: Sullivan Jones, Dominique Johnson, and Michelle Beck Production Design: D’Vaughn Agu Makeup Artist: Greer Gillespie Costume Design: Ntokozo Fuzunina Kunene  NYU Tisch School of the Arts Graduate Film Short ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1461735563620-TER77IXMSDXZSB3C9198/Screen+Shot+2016-02-15+at+10.16.20+PM.png</image:loc>
      <image:title>Film - Blueprint</image:title>
      <image:caption>Writer and Director: Elizabeth Nichols Director of Photography: Laura Valladao Producer: Adel L. Morales Starring: Azhy Roberston Production Design: Adrienne Carlile Costume Design: Ntokozo Fuzunina Kunene Winner, Craft Award for Production Design, First Run Film Festival ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1462063596398-UCWKYVE8XIW8XQ8QSAOW/Screen+Shot+2016-04-30+at+8.42.11+PM.png</image:loc>
      <image:title>Film - Bad Guys Like Us Never Die</image:title>
      <image:caption>Writer and Director: Omar Antonio Iturriaga Director of Photography: Alfonso Jaramilo Gomez Producer: Ashley Alexander and Omar Antonio Iturriaga Production and Costume Design: Ntokozo Fuzunina Kunene and Omar Antonio Iturriaga  NYU Tisch School of the Arts Graduate Film Short ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1461735828386-3GU6HVOH6C2ZUPP83USH/Screen+Shot+2016-02-16+at+4.55.50+PM.png</image:loc>
      <image:title>Film - For Ella With Love</image:title>
      <image:caption>Writer and Director: Daliso Leslie Director of Photography: Mia Cioffi Henry Production and Costume Design: Ntokozo Fuzunina Kunene  NYU Tisch School of the Arts Graduate Film Short ↓</image:caption>
    </image:image>
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    <loc>https://www.fuzunina.com/fashion-styling-index-1</loc>
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    <lastmod>2021-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1586397890611-QJ5IK0MQBHU44T1BOAIB/55855676_263641534542953_2829911478203560918_n%281%29.jpg</image:loc>
      <image:title>Fashion - Mabu49 Fall/Winter 2019 (presented at Vancouver Fashion Week)</image:title>
      <image:caption>Clothing Designed by Ntokozo Fuzunina Kunene ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1586397890611-QJ5IK0MQBHU44T1BOAIB/55855676_263641534542953_2829911478203560918_n%281%29.jpg</image:loc>
      <image:title>Fashion - Mabu49 Fall/Winter 2019 (presented at Vancouver Fashion Week)</image:title>
      <image:caption>Clothing Designed by Ntokozo Fuzunina Kunene ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1461737694388-DLX2YJ1FAUZSESS0EX0B/Untitled+image+%281%29.jpg</image:loc>
      <image:title>Fashion - Mabu49 Spring/Summer 2011</image:title>
      <image:caption>Clothing Designed by Ntokozo Fuzunina Kunene ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1461737775265-SJ4HUU8NW4JDEVQXFGRS/Untitled+image+%282%29.jpg</image:loc>
      <image:title>Fashion - (REDE) Fine and Dandy</image:title>
      <image:caption>Clothing Designed by Ntokozo Fuzunina Kunene ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1461737847681-4WTJCHISDH02R9MG8Q2C/Untitled+image+%283%29.jpg</image:loc>
      <image:title>Fashion - Elle New Talent 2010</image:title>
      <image:caption>Clothing Designed by Ntokozo Fuzunina Kunene ↓</image:caption>
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  <url>
    <loc>https://www.fuzunina.com/theatre-index-1</loc>
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    <lastmod>2021-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1562031225825-OVLCDYJ12FX47BU1YVKT/DanielRader_AmericanNegro_06.14.19_340.jpg</image:loc>
      <image:title>Theatre - America V2.1: The Sad Demise and Eventual Extinction of the American Negro</image:title>
      <image:caption>by Stacey Rose Directed by Logan Vaughn Choreography by Kevin Boseman Set Design by Jack Magraw Lighting Design by Cha See Sound Design by Luqman Brown Costume Design by Ntokozo Fuzunina Kunene 2019 Berkshire Theatre Award Nomination: Outstanding New Play 2019 Berkshire Theatre Award Nomination: Outstanding Ensemble Performance Photography by Daniel Rader Barrington Stage Company ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1562031225825-OVLCDYJ12FX47BU1YVKT/DanielRader_AmericanNegro_06.14.19_340.jpg</image:loc>
      <image:title>Theatre - America V2.1: The Sad Demise and Eventual Extinction of the American Negro</image:title>
      <image:caption>by Stacey Rose Directed by Logan Vaughn Choreography by Kevin Boseman Set Design by Jack Magraw Lighting Design by Cha See Sound Design by Luqman Brown Costume Design by Ntokozo Fuzunina Kunene 2019 Berkshire Theatre Award Nomination: Outstanding New Play 2019 Berkshire Theatre Award Nomination: Outstanding Ensemble Performance Photography by Daniel Rader Barrington Stage Company ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1544215420335-8FAS5BAXCEL20AD44IPQ/Familiar_10.jpg</image:loc>
      <image:title>Theatre - Familiar</image:title>
      <image:caption>by Danai Gurira Directed by Danya Taymor Set Design by Kristen Robinson Lighting Design by Marcus Doshi Sound Design by Justin Ellington Costume Design by Ntokozo Fuzunina Kunene Steppenwolf Theatre 2019 Jeff Equity Award Nomination: Ensemble Play Photography by Michael Brosilow ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1550366425119-V2JOR8B7TMDSE2F8JQ1Z/MIES+JULIE+CSC-01568+-+033.jpg</image:loc>
      <image:title>Theatre - Mies Julie</image:title>
      <image:caption>by Yaël Farber Directed by Shariffa Ali Set Design by David Arsenault Lighting Design by Stacey Derosier Sound Design by Quentin Chiappetta Original Music by Andrew Orkin Costume Design by Ntokozo Fuzunina Kunene and Andrew Moerdyk Classic Stage Company Photography by Jeremy Goldenberg ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1572900570574-5A0U7IQF9OWM0SYOMRQS/On+The+Grounds+Of+Belonging+LWT+10-19+033.jpg</image:loc>
      <image:title>Theatre - On the Grounds of Belonging</image:title>
      <image:caption>by Ricardo Pérez González Directed by David Mendizábel Set Design by Wilson Chin Lighting Design by Cha See Sound Design by Mauricio Escamilla Wig, Hair and Makeup Design by J. Jared Janas Costume Design by Ntokozo Fuzunina Kunene Long Wharf Theatre Photography by T Charles Erickson ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1598047668877-R4ALANJHBIC2HCCAT3WX/LegacyL_0771.jpg</image:loc>
      <image:title>Theatre - Legacy Land</image:title>
      <image:caption>by Stacey Rose Directed by Logan Vaughn Fight Choreography by Santiago Sosa Set Design by Jack Magaw Lighting Design by Cha See Projection Design by Yee Eun Nam Sound Design by Luqman Brown Costume Design by Ntokozo Fuzunina Kunene Photography by Kansas City Repertory Theatre ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1461728796063-7P2MUI4EQ5QIKCFNHAM8/A%2BBright%2BRoom%2BCalled%2BDay%2C%2B2%2C%2B10-2014%2C%2Bphoto%2Bby%2BElla%2BBromblin%2B%28187%29.jpg</image:loc>
      <image:title>Theatre - A Bright Room Called Day</image:title>
      <image:caption>by Tony Kushner Directed by Scott Illingworth Set Design by Yu Hsuan Chen Lighting Design by Chris Thielking Costume Design by Ntokozo Fuzunina Kunene NYU Tisch School of the Arts Graduate Production Photography by Alex Fabozzi  ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1586463336135-WN133JJRNMRPQNF5KLXE/Sunday_production_forweb_2-1800x720.jpg</image:loc>
      <image:title>Theatre - Sunday</image:title>
      <image:caption>by Jack Thorne Directed and Choreographed by Lee Sunday Evans Set Design by Brett J. Banakis Lighting Design by Masha Tsimiring Sound Design by Lee Kinney Music Composition by Daniel Kluger Photography by Monique Carboni ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1586397542896-HWY031JYZILKR00WY1TE/image-asset.jpeg</image:loc>
      <image:title>Theatre - Terra Firm</image:title>
      <image:caption>by Barbara Hammond Directed by Shana Cooper Set Design by Andrew Boyce Lighting Design by Eric Southern Sound Design by Jane Shaw Costume Design by Ntokozo Fuzunina Kunene Photography by Ashley Garret and Michelle V. Agnis The Coop ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1586235364380-2F1DOV666E5SWZX2UJGF/IMG_9512.jpg</image:loc>
      <image:title>Theatre - Master Harold... And the Boys</image:title>
      <image:caption>by Athol Fugard Directed by Ryan Rilettes Set Design by Megham Raham Lighting Design by Autum Casey Sound Design by Palmer Hefferan Costume Design by Ntokozo Fuzunina Kunene Round House Theatre Photography by Kaley Etzkorn ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1586230912373-7XM1V7CA9PCG20HR1CFM/image-asset.jpeg</image:loc>
      <image:title>Theatre - The Winter's Tale</image:title>
      <image:caption>by William Shakespeare Directed by Lee Sunday Evans Set Design by Mariana Sanchez Puppet Design by James Ortiz Music Composition by Heather Christian Costume Design by Ntokozo F. Kunene Photography by Carol Rosegg The Public Theatre: Mobile Unit ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1586403127474-WBP1YEBTDLECCWGXGH7C/IMG-0092.jpg</image:loc>
      <image:title>Theatre - Mary Stuart</image:title>
      <image:caption>by Friedrich Schiller Directed by Gisela Cardena Set Design by Kimie Nishikawa Lighting Design by Christopher Weston Costume Design by Ntokozo Fuzunina Kunene Barnard College Department of Theatre Photography by Kimie Nishikawa ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1522802533804-JTNN273B40BOALLJ2A2I/HOMECOMING.Dress.0920.jpg</image:loc>
      <image:title>Theatre - The Homecoming Queen</image:title>
      <image:caption>by Ngozi Anyanwu Directed by Awoye Timpo Set Design by Yu-Hsuan Chen Lighting Design by Oona Curley Sound Design Amatus Karim - Ali Choreography by Hope Boykins Costume Design by Ntokozo Fuzunina Kunene The Atlantic Theatre 2018 AUDELCO Award Nomination: Costume Design Photography by Ahron R. Foster and Ntokozo Fuzunina Kunene  ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1586235205738-72EE8SK4FG1OQ2W3WWCU/dutchmasters2_spencermoses.jpg</image:loc>
      <image:title>Theatre - Dutch Masters</image:title>
      <image:caption>by Greg Keller Directed by André Holland Set Design by Jason Simms Lighting Design by Xavier Pierce Sound Design by Daniel Kluger Costume Design by Ntokozo Fuzunina Kunene Partial Comfort Productions Photography by Spencer Moses ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1586404630774-JP1DRL8L0ZM32STE0O95/The%2Bcast%2Bof%2B1969%2BTHE%2BSECOND%2BMAN%2C%2BPhoto%2Bby%2BChad%2BBatka%2B%282%29.jpg</image:loc>
      <image:title>Theatre - 1969: The Second Man</image:title>
      <image:caption>Concept, Music, &amp; Lyrics by Jacob Brandt Book by Dan Giles Directed by Jaki Bradley Production Design by Oona Curley Co-Scenic Design by Daniel Prosky Co-Lighting Design by Stacey Derosier Sound Design by Jim Petty for Five Ohm Productions Costume Design by Ntokozo Fuzunina Kunene Photography by Chad Batka New York Theatre Workshop ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1484229411505-3F6S39X2784LWD85GPXK/pauletta%2C+preston%2C+count+IMG_4049.jpg</image:loc>
      <image:title>Theatre - Autumn</image:title>
      <image:caption>by Richard Wesley Directed by Walter Dallas Set Design by Frank J. Oliva Lighting Design by Devin Cameron Costume Design by Ntokozo Fuzunina Kunene The Billy Holiday Theatre Photography by Hollis King ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1498580209941-CRHJDUOJQA2Z2MGZTYW5/GroundsOfBelong0002.jpg</image:loc>
      <image:title>Theatre - On the Grounds of Belonging</image:title>
      <image:caption>by Ricardo Pérez González Directed by David Mendizábal Set Design by Wilson Chin Lighting Design by Brian Tovar Costume Design by Ntokozo Fuzunina Kunene The Public Theatre: Public Studio Photography by Joan Marcus ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1498503289084-UX6ISQSYVLRVPTZD2XXW/WildGooseDreams0005.JPG</image:loc>
      <image:title>Theatre - Wild Goose Dreams</image:title>
      <image:caption>by Hansol Jung Directed by Leigh Silverman Set Design by Wilson Chin Lighting Design by Brian Tovar Costume Design by Ntokozo Fuzunina Kunene The Public Theatre: Public Studio Photography by Carol Rosegg ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1586665099231-Q7STJEBA4R4INUHPMTSB/12SKYRIGHT-superJumbo.jpg</image:loc>
      <image:title>Theatre - Kill Move Paradise</image:title>
      <image:caption>by Jame Ijames Directed by Saheem Ali Musical Direction by Daruis Smith Movement by Darrell Moultrie Set Design by Maruti Evans Lighting Design by Alan C. Edwards Sound Design by Palmer Hefferan Costume Design by Ntokozo Fuzunina Kunene National Black Theatre 2019 Henry Hewes Design Award Nomination (Notable Effects), Kill Move Paradise Photography by Christine Jean Chambers ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1522804592974-BPFXZ16OOJ3QHMXHZP8S/Eclipsed-40_preview.jpeg</image:loc>
      <image:title>Theatre - Eclipsed</image:title>
      <image:caption>by Danai Gurira Directed by Shariffa Ali Set Design by You - Shin Chen Lighting Design by Alex Mannix Costume Design by Ntokozo Fuzunina Kunene Princeton University  Photography by You - Shin Chen ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1461729272910-JJI56DL3YDN4OMDKF31V/5+CCandD2014_Piece5_PhotobyAlexFabozzi-14+copy.jpg</image:loc>
      <image:title>Theatre - The [living] Room</image:title>
      <image:caption>Choreographed by Hannah Cullen, Kyle J Filley and Nicholas Grubbs Music composed by Paulo Tirol Set Design by Taísa Malouf Lighting Design by Peter W. Mitchell Costume Design by Ntokozo Fuzunina Kunene NYU Tisch Second Avenue Dance Company Photography by Ella Bromblin ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1586401523948-L6YAOASXQ1TD5IL43L2I/33684392162_6d1b6f9846_o.jpg</image:loc>
      <image:title>Theatre - Polaroid Stories</image:title>
      <image:caption>by Naomi Iizuka Directed by Shanga Parker Set Design by Ryan Wilbat Lighting Design by Zach Sanders Costume Design by Ntokozo Fuzunina Kunene NYU Tisch Undergraduate Drama Photography by Ahron R. Foster  ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1461729014854-ZHSQVW0UWBTZDE6J172J/2015_07_15_MyFavorite_08.jpg</image:loc>
      <image:title>Theatre - My Favorite Character was a Talking Vase</image:title>
      <image:caption>Conceived by Sarah Blush and Michael Norton Directed by Sarah Blush Written by Sarah Blush, Michael Norton and the cast Set Design by Brittany Vasta Lighting Design by Ken Wills Costume Design by Ntokozo F. Kunene HERE Theatre Photography by Tris Bucaro ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1542303306582-LBD0PD61I306BK84EJMB/APOTH+INTRO+rjz+2018.jpg</image:loc>
      <image:title>Theatre - R, J&amp;amp;Z</image:title>
      <image:caption>by Melody Bates Directed by April Sweeney Set Design by Miranda K Hardy Lighting Design by Cha See Special Effects Makeup by Stephanie Cox-Williams Costume Design by Ntokozo Fuzunina Kunene Colgate University  Photography by Andrew Daddio ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1554013431744-RM4WBR6KS32QYICJEYW4/Adrian_Giurgea_TheSeagull_Baranova-0287.jpg</image:loc>
      <image:title>Theatre - The Seagull</image:title>
      <image:caption>By Anton Chekhov Directed by Adrian Giurgea Set Design by Anna Kiraly Lighting Design by Cha See Costume Design by Ntokozo Fuzunina Kunene Projection Design by Wladimiro Woyno and Mike Commendatore Photography by Maria Baranova ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1553908063116-FED3OURN07XUD945JAYP/Satellies+-+Fordam_all-142+copy.jpg</image:loc>
      <image:title>Theatre - Satellites</image:title>
      <image:caption>by Diana Son Directed by Sonoko Kawahara Set Design by Ntokozo Fuzunina Kunene Lighting Design by Reza Behjat Costume Design by Elizabeth Ryan Fordham University  Photography by Hunter Canning ↓</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54d436bce4b0ed7051024bb9/1461729967323-SRILLHQ09BYSA9EEQPTE/coronation1.jpg</image:loc>
      <image:title>Theatre - Scenes from Court Life</image:title>
      <image:caption>A new play by Sarah Ruhl Directed by Mark Wing - Davey Set Design by Kris Layng Lighting Design by Jennifer Hill Costume Design by Ntokozo Fuzunina Kunene NYU Tisch School of the Arts Graduate Production Photography by Ella Bromblinn  ↓</image:caption>
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